Peter In Your Pocket

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The Art of Stage Pickpocketing

You already know how to misdirect an audience’s attention. But what if you could use that skill to steal a spectator’s watch or wallet—without them ever noticing?

Peter in Your Pocket reveals the secrets of the rare and spectacular performance art: stage pickpocketing.

In this book, Peter Heylands shares more than thirty years of experience performing around the world, on stage, aboard cruise ships, and at prestigious events. His approach combines psychology, advanced techniques, timing, humor, elegance, and a genuine sense of showmanship.

Written with clarity and precision, Peter combines mechanics, psychology, and theatrical structure in a comprehensive guide to pickpocketing in magic.

A Distinct Perspective on Pickpocketing in Magic

This book explores the origins and evolution of pickpocketing, along with the fundamental reasons it continues to work today.

Peter explains how attention, distraction, human anticipation, and psychological biases can become powerful artistic tools for a magician. You will also learn how to build an engaging stage presence by choosing the right spectator, managing your attitude, using music, lighting, and microphones effectively, and establishing a rhythm that makes each steal feel natural and invisible.

Mechanics and Techniques

Peter covers techniques used by professional performers and reveals his own methods, refined over several decades. Learn how to approach, engage, and execute with fluidity and confidence:

  • Watch steals, including leather straps, metal bracelets, and smartwatches
  • Inside and outside jacket pockets
  • Front and back trouser pockets
  • Stealing glasses, ties, belts, and suspenders
  • Numerous additional subtleties

Every explanation comes from Peter’s stage experience and includes practical advice that can be applied immediately.

The Stage Pickpocket’s Toolkit

Peter also explains:

  • How to select and manage volunteers on stage
  • The role of music, sound, and lighting
  • How to adapt your act for close-up, stage, cruise ships, or television
  • How attitude, style, and overall appearance influence the success of a steal

It is a professional manual in which every stage detail matters.

A Repertoire of Professional Routines

The book brings together a repertoire of stage pieces tested before thousands of spectators and refined over more than thirty years of professional performance. Each routine has been conceived, structured, and polished to support the character, strengthen the narrative, and create a strong theatrical impact.

The Lucky Chip

A funny, interactive routine built around a signed casino chip. Humor, impossible choices, a ball of wool, and multiple watch steals build toward a theatrical finale.

Ring in Yarn of Wool

Peter analyzes the classic version, identifies its weaknesses in predictability and pacing, and proposes a modernized approach based on psychology and surprise. His handling uses a signed chip to strengthen the misdirection and refresh the routine.

Illegal Business

A narrative reinvention of Easy Money, combining humor about “dirty money,” dramatic logic, and Robin Hood-style symbolism. The finale features a transformation that fits the character.

The Robbery Trick, a Complete Reinvention

Peter presents a reimagined version of this classic, making it modern, coherent, and theatrical. The routine is designed to entertain while consistently fooling the audience.

Miser’s Dream, a New Method

Peter presents a version of Miser’s Dream that is:

  • Suitable for introducing pickpocketing within the first few minutes of the show
  • Based on an original method
  • Supported by a smooth, carefully constructed stage structure

The Egg Bag, an Original Finale

Peter revisits the Egg Bag with an approach in which the egg appears in the spectator’s pocket.

The routine ends with multiple eggs produced from the assistant’s pockets, creating a funny and surprising finale.

The Underwear Gag

Producing a piece of underwear between two knotted scarves is an old classic. However, this traditional gag, often used by stage pickpockets, generally produces only a weak reaction from both the assistant and the audience.

Peter’s method creates a natural, spontaneous reaction from the assistant, generating genuine laughter and a stronger comic effect for the audience.

All of these routines are professional pieces tested and refined over thousands of live performances.

Peter’s Complete Act, Explained in Detail

For the first time, Peter reveals his complete act in detail.

A Book for Performers Who Want to Stand Out

Peter in Your Pocket is intended for magicians and performers who want to:

  • Give their magic more character and impact
  • Introduce elegant and surprising moments of pickpocketing
  • Understand spectator psychology and audience management
  • Transform raw technique into theatrical art
  • Develop a strong, funny, and memorable stage identity

Whether you are an ambitious beginner or an experienced professional, these pages provide a framework and a source of inspiration.

Table of Contents

ABOUT THE AUTHOR, p. 9

I. GETTING STARTED

  • Introduction by Carlos Vaquera, p. 12
  • About the cover and title of the book, p. 15
  • Why another book on pickpocketing?, p. 19
  • George Barrington, the legendary pickpocket, p. 21
  • Pickpocketing as entertainment, a brief history, p. 25
  • Who can do a pickpocket act?, p. 29

II. THE MECHANICS: WATCH STEALS

  • How to learn and practice a watch steal, p. 53
  • Stealing a leather strap watch, p. 55
  • Trouble watches, p. 61
  • The Apple or Smart watch, p. 67
  • Repetitive watch steals, p. 71
  • The metal clasp watch, p. 73
  • The expansion metal band, p. 77
  • The Z fold band, p. 79

III. THE MECHANICS: PICKING POCKETS

  • Picking pockets, p. 85
  • The inside jacket or coat pockets, p. 87
  • The drop steal, p. 93
  • The back steal, p. 99
  • The patchwork, p. 101
  • The outside jacket or coat pockets, p. 105
  • The outside breast or shirt pocket, p. 109
  • The front pants or trousers pockets, p. 111
  • The hip or back pockets, p. 113
  • The pickpocket setup, p. 117

IV. THE MECHANICS: MORE ACCESSORIES

  • Stealing a necktie, p. 123
  • Stealing eyeglasses or reading glasses, p. 133
  • Stealing suspenders or braces, p. 135
  • Stealing a belt, p. 137

V. THE MECHANICS: YOUR HELPERS

  • How to choose your helpers, p. 145
  • The first secret to success, p. 147
  • Choosing the wrong helper, p. 149
  • Disarming your helper, p. 153
  • Flashing the stolen goods or not?, p. 155
  • Call backs, p. 157
  • Your first performance, p. 159
  • Getting caught, p. 161
  • The helper who felt everything, p. 163

VI. YOUR STAGE ACT

  • Creating your stage act, p. 169
  • The opening, middle, and end for a stage act, p. 175
  • Writing your script, p. 179
  • Creating a full show in character, p. 181
  • Adapting magic to fit your character, p. 185
  • My version of the trick, p. 189
  • More examples of my bag of tricks, p. 197
  • The egg bag, p. 203
  • The robbery trick, p. 231
  • Many ideas for my show came thanks to the audience, p. 241
  • Other tricks used by pickpockets in the past, p. 245
  • Too little to steal, p. 251
  • The use of a confederate or stooge, p. 257
  • Humor, p. 265
  • The power of music, p. 271
  • Stage lights, p. 283
  • Performing at events, p. 287
  • Performing pickpocketing in close-up or strolling, p. 291
  • Performing on television, p. 295
  • Lecturing for law enforcement departments, p. 299
  • Interviews, p. 301
  • Languages as a weapon, p. 303
  • Can pickpocketing be performed as a silent act?, p. 305
  • Performing on cruise ships, p. 307
  • Working for and with diverse cultures, p. 321

VII. MY PICKPOCKET ACT EXPLAINED IN DETAIL

  • The challenge game, p. 327
  • Techniques used for my routine, p. 329
  • Preparing the act, p. 331
  • My script and handlings, p. 333
  • The complete pickpocket setup, p. 335
  • Summary, p. 347

VIII. TRIBUTE TO DOMINIQUE

  • Why this great homage?, p. 355
  • The story, p. 357
  • What I had witnessed, p. 359
  • What did I learn?, p. 365
  • His story begins, p. 373
  • The great American adventure, p. 377
  • A chronological list of Dominique’s main successes, p. 385

IX. TO CONCLUDE

  • My final words, p. 401
  • The bibliography, p. 405
  • With a special thanks to..., p. 411

Highlights

  • Analysis of real techniques used in professional conditions, both on stage and aboard cruise ships
  • Historical context covering the development of the discipline
  • Practical advice drawn from real-world performing experience
  • A focus on showmanship and ethics, the pillars of stage pickpocketing
  • Original routines built around psychology, misdirection, and humor
  • Structured writing shaped by several decades of experience

Peter in Your Pocket is intended for performers who want to study the techniques, psychology, and theatrical structure behind stage pickpocketing.

The table of contents runs from page 9 through page 411.

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Peter In Your Pocket | Vanishing Inc. Magic