The Remastered Assortment

Book by Sam (Rickard) Wooding
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The Remastered Assortment

20.00 usd

Book by Sam (Rickard) Wooding (20.00)

Out of stock. Email me when new stock arrives.

This ebook from Emma Wooding will teach you new propless routines, billet peeks, card forces and more. If you want a small taste of what The Remastered Series involves then this booklet is for you.

"Typhon" - A quick and easy version of the Instant Access Center Tear,

"Additional Opposites" - A spectator thinks of two opposite words (hot/cold, fast/slow) and you are able to tell them the words they're thinking of with no props.

"Abaddon" - A highlight for many readers. This is Emma's take on a Living and Dead test. This works close up or in a parlor or stage setting.

"Obsolete" - An amazingly fair force of a card from a packet of 10.

"FRQZXW" - Your spectator is shown some cards with different jumbles of letters and numbers. They think of a word. You tell them what they are thinking of. There's no anagrams, stooging or dual reality with this.

"Positive vs Negative" - A wonderful feel good effect. You show your spectator four cards. One has a positive statement. The other three all have negative statements. Despite shuffling the cards themselves, choosing a card themselves, they manage to pick the positive card. Every time.

"Soul Sweep" - You approach someone and ask them to write a word down that closely represents the person they are closest to in the world. They fold it up. They tear up the card. You instantly tell them what they were thinking of.

These seven routines are Emma's favorite, audience-tested effects that destroy audiences from her existing books. This ebook is 60 pages long.

"I like it. I like the different take on the living/dead, and the ***** works great. Nice sequence"

  • Mark Strivings on Abaddon.

"Additional Opposites is a fun easy direct way to nail two things in one swoop. It reminds me of Alman's Scorpion Tail, but this is essentially prop less, which is very nice"

  • Mohamed Khaled on Additional Opposites.

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